Tara takes many
forms
she spreads from breast to bone
I am just like her, just as good. I slope the way she
slopes, and whoever does not recognise our sameness will be punished – he
promised me that. Remember the slurping guru who refused to acknowledge me, who
stood there with his wide legs, asserting his masculinity like a cowboy, until
I raised my eyes that look like hers, making my fires known, and how little I
fear retribution. We were both raised by motherless mothers, our etymological
roots so close they might be touching.
Tara has a
short body
a protruding belly and hard breasts
a protruding belly and hard breasts
He
mistakes my lowered eyes for my quiet humouring smile, his testosterone
diffusing in the small room, although dissipation is my secret power. I hold my
breath, holding myself in till I shake, his body convulsing as the poison
spreads. Our hero skims the yellow froth brought up by the churning oceans,
lapping until his throat turns blue. This is a learned pain, and when you touch
me with wet hands I dissolve into pear-shaped crystals, a heap of salty edges
on the ground.
Tara has three
eyes
her hair lies in matted locks
occasionally scraped into a top-knot
her hair lies in matted locks
occasionally scraped into a top-knot
She
likes to take her clothes off after a few drinks, not for any sexual reason –
she is a martyr for laughs. How ironic that a few years later she went on to
win ‘best hair’ in the Miss India beauty pageant, and I’m ashamed of how
sincere his face looks in this light, and what it might mean that his hands are
trembling. It isn’t so black and white, and demons don’t exist in the usual
sense, but we face the best direction in the cremation ground, and wait for her
to sound the bell for danger.
like Kali she
holds a sword and a skull
like Kali she
wears a garland of severed heads
one for each sound of the alphabet
one for each sound of the alphabet
Her
sexual posturing does not mean what you think it means, remember this is a
feminist imagining, in the other version she grows from the tear that rolled
down his cheek. When you look through her camera you feel strange, and ashamed
at how much you didn’t notice. She scores lines into blue petals with the
scissors that stay in her bag, big kitchen scissors better suited to animal
slaughter. A global Goddess, possessed by so many languages, she variegates
like a mood ring.
she sits in the
centre of the waters
in a white lotus or sometimes a boat
in a white lotus or sometimes a boat
We
have similar lips (hers are wider), similar colouring (I’m a darker hue), and
from a distance the same lotus leaf eyes. Sometimes we look the same in
photographs, the letters of the alphabet stringing round our necks, cutting
symbolism into our skin. I paint faces onto white petals in horror movie red,
remembering when the guru drew on my forearm in blue biro, tracing a tattoo
that the Goddess would approve of – the three eyes, the three harvests, the
three good women.
like Kali, her
tongue lolls
and her mouth oozes blood
and her mouth oozes blood
Did
you hear about the holy man who killed his pet mongoose, their little
friendship destroyed by the black serpent’s blood, and a missed pause becomes
meaningful. This is a caricature, but some of the features are cleverly drawn,
the pale-skinned boys, the cloddy hands, the unmanly minds and the unwomanly
bodies, drawing over each other again and again. When I picture you crying, the
tears pollute your face like acid – how much harm cultural conditioning does to
us both.
she wraps a
tiger skin around her waist
her body not as naked as Kali’s, but still indecent
her body not as naked as Kali’s, but still indecent
like Kali she
stands upon the corpse of her lover
she presses her foot upon his rigidity
He
is interested in my mind, keen to learn my poetry, but when he discovers us
rolling ourselves in the moss, dreamy smears of green and wine, he is
embarrassed that he could fall for someone so base. She poked fun at my
mosquito bites, then years later said something about curvy, but I’m not the
type of woman whose explicit femininity saves lives. Our lips are stained red
and the repetition syncs our bodies with the common voice. Her unbrushed hair
signifies wild promiscuity.
serpents twist
round her neck and legs
when it is Tara’s turn
she will unlock their jaws
when it is Tara’s turn
she will unlock their jaws
She
is not one of those mothers with red-cheeks and bosomy kisses, who memorises
your numbers, while their own clouds disperse. There was a period when she
refused to brush her hair, as if that could pale her beauty, and she only wore
silver, although now she understands gold. And she took him to her body, saving
him, her lover’s milk which stopped the spread of blue. The queer details exist
in relation, and you say her name with the self-assurance that accompanies
enlightenment.
like Kali, Tara
will destroy the false you
facilitating your rebirth
facilitating your rebirth




I love this poem - it resonates with the strength, complexity and unpredictability of woman, and creates a wonderful visual imagery of the ancient and the modern, the experienced and the imagined, effortlessly waeving them together.....
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